The Duchess of Windsor: The Uncommon Life of Wallis Simpson (2000)


            In the forward to "The Duchess of Windsor," I describe the process by which
            I came to write about Wallis Simpson.  The idea of a book about the Duchess
            had occasionally crossed my mind, but two factors really pushed me to the
            decision.  In 1996, while I was living in London, I heard that Michael
            Bloch, who had previously published several volumes of correspondence
            between the Duke and Duchess, had a new biography of Wallis coming out.  My
            assumption was that it would certainly be the definitive work given Bloch's
            unique access to all of the Windsor materials.  But when I finally picked up
            a copy at Hatchard's I found, much to my surprise, that the text was less
            than 200 pages, and despite some interesting points, in no way attempted to
            be a definitive biography.

Duke and Duchess of Windsor, 1937
           Then, too, events in the modern House of Windsor made me rethink previously
            held convictions and beliefs about the Royal family and particularly about
            Queen Elizabeth the Queen Mother.  I had always viewed the Duchess of
            Windsor as the cold, scheming adventuress, a caricature promoted by the
            Queen Mother, numerous writers, and members of the British establishment.
            The collapse of the marriages of the Prince and Princess of Wales, the Duke
            and Duchess of York, and the Princess Royal, revelations of adultery, of
            unwanted relatives stashed away in mental homes and declared dead while they
            lived, and of a respected institution whose pretensions were rapidly being
            shown up as all too human-all of these things challenged my views of the
            Royal Family and opened my mind to the possibility that Wallis had not, in
            fact, been the villain so often described.

            These feelings were only confirmed as I researched her story.  I found not a
            woman of black and white, but of shades of gray, and a Royal family whose
            treatment of the Duke and Duchess had, even if somewhat understandable,
            often been appalling.  My sympathies for Wallis and her ignorance of the
            world into which she stumbled wide-eyed became important factors; at the
            same time, while I found the Duke largely a sympathetic character, there was
            no denying that it had been his stubborn insistence that had caused so much
            of the trauma, even as the Royal Family and their apologists attempted to
            paint him as a victim of his wife's machinations.  I found quite the
            opposite to be true, and the belief that Wallis had wanted to marry the King
            to be completely unfounded.  The book became a defense of the Duchess
            against so many decades of wild rumors and insinuations.  If it managed to
            help restore something of her true character, or even to correct some of the
            wrongs that have, for nearly three-quarters of a century been perpetrated
            against her, then I think I achieved my objective.

                        Sharon Tate and the Manson Murders (2000)


            This book was my one true aberration but it came from a passionate desire to
            tell the story of tragic actress Sharon Tate and attempt to separate her
            from her death at the hands of Charles Manson's followers.  I first read
            "Helter Skelter," the account of the murders written by Manson prosecutor
            Vincent Bugliosi, back in 1974 when I was ten and it truly scared me.  After
            reading the book, I would occasionally see one of Sharon's films on
            television, and her fate seemed so terrible.  Even though people recognize
            her name, it is almost always because of the manner of her death, and after
            I had written a few books I decided that my interest in the subject was
            enough to warrant a serious new look at her life.  I was fortunate in
            befriending Bugliosi, who put me in touch with Sharon's mother Doris, who in
            turn, after some initial unease, began to share stories of her daughter's Sharon Tate
            life with me.  Although Doris soon fell ill with the brain tumor that
            ultimately killed her, I was determined to complete the book as a tribute
            both to Sharon and to her mother, who had fought so hard to give a voice to
            the families of other victims.   

            No one had ever attempted a biography of Sharon, and I was able to speak to
            many of those who had known her in high school, her personal friends, and
            her fellow actors and actresses, as well as researching important details on
            her life and on the Manson Family.  It's still the only biography of Sharon,
            and has managed to have the desired impact in resurrecting her as an
            actress, a woman, a daughter, a sister, a wife, and a mother-to-be.  I was
            fortunate to meet and speak to so many of those who knew Sharon, and not so
            fortunate to be at the receiving end of threatening letters, phone calls,
            and other efforts by former members of the Manson Family and those who
            consider themselves his fans.  It was both an enjoyable experience and a
            terrifying one, although a strong friendship with Sharon's only surviving
            sister Debra that has resulted has made it worthwhile.
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c. Greg King 2008